Recorded live, Inside Problems is a rather less meticulous and more spirited band set that examines the questions that keep Bird awake at night, in songs shot through with ‘70s country rock, chamber pop, Appalachian folk and Tin Pan Alley eccentricity. Highlights include a sweety urgent “Fixed Positions” and the easy-swinging, VU-like “The Night Before Your Birthday”.

Fans of the GRAMMY-nominated six-piece can expect the same tight, wildly-funky instrumentals Lettuce has always been known for, but in the tightest form they’ve ever taken. And this time around, the guys have gotten the stamp of approval from one of the genre’s most legendary icons, Bootsy Collins, who lends his vocals on “Keep That Funk Alive.”

Throughout the 14 tracks, Post Malone takes us with him on his trials with fame, giving a glimpse into the irony of seemingly having it all, but feeling like nothing all at the same time. As Post explained, he wants the new songs to “speak more to how I’m feeling at the moment: the ups and downs and the disarray and the bipolar aspect of being an artist in the mainstream.”

Michael Franti has long been revered for his inspiring music, worldwide philanthropic efforts and the power of optimism. As equal parts musician and activist, Franti continues to offer opportunities for gratitude, solidarity and celebrating how we get through the greatest ups and downs of our lives with our body, mind and soul still in one piece. *Vinyl available 8/12*

On his ninth studio album, Matt Andersen has drawn from the best roots music has to offer over his decades-long career: down and dirty blues, heart-wrenching soul, life-affirming gospel, and introspective singer-songwriter balladry. These sounds, textures, and influences are laid bare on House to House.

This eclectic collection of masterfully crafted covers includes epic re-imaginings of classics like "Wind of Change" by the Scorpions, "Take a Chance on Me" by Abba, and "Beds are Burning" by Midnight Oil; and features collaborations with artists like Portugal the Man, Brandon Boyd of Incubus, Jewel, Beck & more.

A 16-song solo acoustic show from January 30th1971 at UCLA Royce Hall in Los Angeles. Recorded near the end of Neil’s solo tour of Canada and the US following the release of After The Gold Rush. It features Neil on vocals, guitar, harmonica and piano and is released as 1 LP and 1 CD, plus digital. Previously unreleased.

On August 6th, 2021 Killswitch Engage unleashed a streaming event that took fans by storm. The event took place at The Palladium in the band's native Massachusetts, which has been the site of many iconic KsE shows throughout the band's history. The setlist consists of 2019's Atonement album in full, with some fun and unexpected surprises along the way!

Riff-monsters Crobot conjures up the kind of rock 'n' roll that has grooves so powerful they throw you around the room and hooks high enough to shake the heavens. "This is the record we've been wanting to do ever since we started," exclaims vocalist Brandon Yeagley. If we can make you smile, we've done our job".

Having taken time out after the busy schedule surrounding their 2003 debut album Keep On Your Mean Side, The Kills returned with No Wow in 2005, a dark and brooding musical examination of the period in which New York's punk scene became its dance scene. This 2022 reissue features new mixes of the original album by Tchad Blake (Arctic Monkeys, The Black Keys, Sheryl Crow).

DBT’s 14th studio album, marks a sharp departure from the trenchant political commentary of their last three records. A reckoning with the dualities of the things that make you alive and how they sometimes can kill you. A life affirming flashlight for the dark nights of one’s soul. As they say in the title track, “Our glory days did kinda suck”.

As she has so eloquently accomplished over the past 25 years, Gauthier has used her art once again to traverse the uncharted waters of the past few years. Thankfully, amid dark storms of pandemic loss, she found and followed the beacon of new love: her gift to us, the powerful collection of ten sparkling jewels reflecting both love and loss.

Horsegirl expertly play with texture, shape, and shade across the record, showcasing their fondness for improvisation and experimentation. From elastic and bright post-punk to instrumental interludes with guitars smeared across the canvas like watercolors, and rough, blown-out pop charm to sharp edges and dark corners.