This is a limited edition Metallic Gold vinyl pressing. This is the first time this record has been pressed on color vinyl.
This is a first time color vinyl pressing of the anticipated follow up to the Grammy® Award-winning 2009 release Townes titled, I'll Never Get Out Of This World Alive . This 11-track set was produced by T-Bone Burnett and was Earle's first collection of original material since his 2007 Grammy® Award-winning album, Washington Square Serenade. The album includes the celebrated song" This City," written for the HBO Original Series, TREMÉ, which Earle also appeared in as an actor. "This City" features horn arrangements by Allen Toussaint and has garnered a Grammy® Award Nomination in the Best Song Written for Motion Picture, Television or Other Visual Media Category. Other highlights include the ballad "Every Part of Me" and the ode to those who make their living on The Gulf Of Mexico.
30 is the first new music from Adele since the release of her third studio album 25 in November 2015. The album is produced with former collaborators Greg Kurstin, Max Martin and Shellback and Tobias Jesso Jr., as well as new collaborators Inflo and Ludwig Goransson.
Vinyl: $48.99 Buy
A limited-edition black vinyl release of the Grammy-award winning U2 album Achtung Baby, to celebrate its 30th Anniversary.
Produced by Daniel Lanois and Brian Eno, and recorded between Berlin’s Hansa Studios and various locations in Dublin, Achtung Baby was released to critical acclaim in 1991 & is regarded as one of U2’s most seminal albums. The album featured five singles: ‘The Fly’, ‘Mysterious Ways’, ‘One’, ‘Even Better Than The Real Thing’ and ‘Who’s Gonna Ride Your Wild Horses’.
Please note product includes explicit content.
In 1976, KISS dropped the bombshell on the world being DESTROYER, an album that originally received resistance from fans due to the band exploring a new sound and has long become the quintessential and all-time best selling KISS studio album.
Exploding with concert staples and KISS Army favorites like “Detroit Rock City,” “Shout It OutLoud,” and “God Of Thunder” – the album’s new sounds came from the softer side of songs like “Do You Love Me?,”and songs heavy with orchestral arrangements including “Great Expectations” and their surprise hit single “Beth.”
For the 45th anniversary, UMe is releasing the most comprehensive Super Deluxe Edition 4CD + Blu-ray Audio boxset that will melt the KISS Army’s minds. The original album on CD 1 is newly remastered by Abbey Road Mastering, CD 2 features 15 demos from Paul Stanley’s and Gene Simmons’s personal archives – 9 of which are unreleased. CD 3 loads up with studio outtakes, alternate versions / mixes and single edits – most notably a brand-new stripped-down mix for “Beth (Acoustic Mix)” where we found the acoustic guitar stems recorded for the entire song but originally only used in the last several closing notes of the song on the album. CD 4 features a ripping performance from the band’s visit to Paris France at the L’Olympia on May 22, 1976.
Steven Wilson was brought in to create a first-ever Dolby Atmos and 5.1 surround mix of the original studio album plus 2 bonus tracks “Beth (Acoustic Mix)” and “Sweet Pain (Original Guitar Solo)” the latter featuring Ace Frehley’s original recorded guitar solo that was not released on the studio album (this track is available on the 2012 Destroyer: Resurrected project.)
Packaging features a lift top-style box loaded with so much ephemera even KISS fans may need to seek medical advice upon receiving this boxset
Vinyl: $25.99 Buy
Few artists are storytellers as deft and disarmingly observational as Andy Shauf. The Toronto-based, Saskatchewan-raised musician’s songs unfold like short fiction: they’re densely layered with colorful characters and a rich emotional depth. Like he’s done throughout his career, Shauf wrote, performed, arranged, and produced every song on his new album Wilds at his studio space in the west end of Toronto.
Over the course of a year-and-a-half, Shauf had written more than 50 songs, and pared down this massive body of work, into a single album’s worth of material, which became 2020’s highly acclaimed The Neon Skyline album. These songs focused on a theme by intertwining the individual characters stories of a group of friends who gathered for one night at the same local bar. Wilds includes songs from those same writing sessions, that did not fit into the Skyline storyline and had their own singular identity apart from that album, though he does revisit with his old friends Judy and Jeremy in this outing.
Steve Earle was nineteen and had just hitchhiked from San Antonio to Nashville in 1974. Back then if you wanted to be where the best songwriters were you had to be in there. Guy Clark had moved to Nashville and if you were from Texas, Guy Clark was king. Flash forward more than forty years. In the fall of 2018, Steve and The Dukes went into House Of Blues studio in Nashville and recorded GUY in six days. 'I wanted it to sound live...When you've got a catalog like Guy's and you're only doing sixteen tracks, you know each one is going to be strong.'
Earle and his current, perhaps best-ever Dukes lineup, take on these songs with a spirit of reverent glee and invention. But in the end Guy leads the listener back to its beginning, namely Guy Clark, which is what any good 'tribute' should do. Guy is a saga of friendship, its ups and downs, what endures. We are lucky that Earle remembers and honors these things, because like old friends, Guy is a diamond.
A collection of holiday classics reimagined earnestly and passionately by beloved indie rock stalwarts Manchester Orchestra. Familiar, inclusive, and the essence of holiday spirit, regardless of one’s beliefs. Holiday Red LP with B-Side Etching.
CD: $149.99 Buy
HuDost’s new album defines real, honest love and is a lush, breathtaking original collection of compositions that ask important questions and evoke the imagery of dreams. Special guests include Jars of Clay, The Accidentals, Christie Lenée and others. The music video for the first single ‘Our Words Will Be Louder’, included additional cameos from Kevin Clash (Elmo), Kevin Hearn (Barenaked Ladies), Cy Curnin (The FIXX), GangstaGrass, Alana Bridgewater, Nawal, Hymn for Her, Jai Uttal, and more.
Hand Habits, the project of Los Angeles-based musician Meg Duffy (they/them), is back with their new album Fun House - the most ambitious Hand Habits album to date. Produced by Sasami Ashworth (SASAMI) and engineered by Kyle Thomas (King Tuff), the record was not intended as a reaction to the pandemic, but it was very much the result of taking a difficult, if much-needed, moment of pause. Emboldened by going into therapy and coaxed by Ashworth to push the songs into unexpected new shapes, the resulting music is more acutely personal and stylistically adventurous than anything you’ve heard from Hand Habits before. The push/pull of styles, paired with songs that move deftly between the present and past, give the record a wildly diverse, hall of mirrors quality that befits its name. Where previous Hand Habits records could be fairly insular affairs, Fun House feels ebullient, lush, a fully-realized conversation.
CD: $139.99 Buy
Super Deluxe contains 5 CDs showcasing the newly remastered album from the original analog tapes along with 4 complete concerts on the Nevermind Tour from Amsterdam, Melbourne, Tokyo and Del Mar, California. Additionally, a Blu-ray of the complete Live in Amsterdam concert video (newly remastered in HD) is included along with a 40-page hardcover book with unreleased photos.
"Musically and lyrically, Red resembled a heartbroken person. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Happy, free, confused, lonely, devastated, euphoric, wild, and tortured by memories past. Like trying on pieces of a new life, I went into the studio and experimented with different sounds and collaborators. And I'm not sure if it was pouring my thoughts into this album, hearing thousands of your voices sing the lyrics back to me in passionate solidarity, or if it was simply time, but something was healed along the way...This will be the first time you hear all 30 songs that were meant to go on Red. And hey, one of them is even ten minutes long." - Taylor Swift. Includes 9 unreleased songs from the vault.
Book is a new phase They Might Be Giants album presented on 180-gram audiophile vinyl LP with package design by Paul Sahre. Featuring "I Broke My Own Rule," "I Lost Thursday," and "I Can't Remember the Dream," Book is billed as a beacon of light amid a pretty unanimously rough period of time with the band's John Linnell describing it's songs as "humorously germane to the catastrophe going on around us."
Things Take Time, Take Time is an assured leap forward for Barnett; a breakthrough really. This is Barnett at her most relaxed, creative and joyful. An exquisite look at the intimate, private world created by Barnett and drummer/producer Stella Mozgawa (Warpaint, Cate le Bon, Kurt Vile). It's consequently her most beautiful and intimate record to date.
MP3 Album: $11.49 Download
"Woke up singing a dead man's song..." is the opening line from the Warren Haynes original "Heavy Load," a line of imagery that feels like the beginning of dirt. Blues. On this album, the iconic American band puts their unique musical stamp on an incredible collection of Blues covers and originals. Haynes, the leader of Gov't Mule, hails from a Southern rock tradition of scruffy virtuosity. Gov't Mule is Warren's show, and the Blues is the informing foundation, personal and universal.
Vinyl: $149.99 Buy
Original remastered album, previously unreleased full live concert and BBC Session Recorded in 2012, 2011 Electro-Vox Session, limited-edition poster and lithograph, “new car scent: air freshener, 100-page photo book.
The Black Keys release a special tenth anniversary edition of their landmark seventh studio album El Camino via Nonesuch Records on November 5, 2021. El Camino (10th Anniversary Deluxe Edition) will be available in several formats including a Super Deluxe edition of five vinyl LPs or four CDs, featuring a remastered version of the original album, a previously unreleased Live in Portland, ME concert recording, a BBC radio Zane Lowe session from 2012, a 2011 Electro-Vox session, a limited-edition photo book, poster, and lithograph, and a “new car scent” air freshener. A three-LP Deluxe edition, which includes the remastered album and the live recording, also will be available.
The Black Keys won three awards at the 55th annual GRAMMY Awards for El Camino— Best Rock Performance, Best Rock Song, and Best Rock Album—among other worldwide accolades. In the UK, the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band).
El Camino was produced by Danger Mouse and The Black Keys and was recorded in the band’s then-new hometown of Nashville during the spring of 2011. In the UK, the record gave the band their first top 10 hit, and in the US it debuted at # 2 on the Billboard Top 200. The band was also the # 1 most played artist at Alternative and AAA radio formats for 2012 in the US. The album’s first single, “Lonely Boy,” reached # 1 on the Alternative and AAA charts; it also entered the top 10 at Rock radio. The second single, “Gold on the Ceiling,” also reached # 1 on Alternative radio and the third single, “Little Black Submarines,” reached the top 3 at Alternative radio. El Camino has been certified Double Platinum in the US, Australia, and New Zealand; Platinum in the UK, France, Ireland, and Belgium; Quadruple Platinum in Canada; and Gold in Denmark, Italy, the Netherlands, and Spain. Of the album’s singles, "Lonely Boy" was certified nine-times platinum in Canada, triple-platinum in Australia, platinum in New Zealand, and gold in Denmark. "Gold on the Ceiling" was certified platinum in Australia and Canada.
Rolling Stone hailed El Camino for bringing “raw, riffed-out power back to pop’s lexicon,” and called it “the Keys’ grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair.” The Guardian said, “They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done.”
Beautiful Garbage is the third studio album from Garbage, initially released on October 1, 2001. The album expanded on the band's musical variety, with stronger melodies, more direct lyrics, and sounds mixing rock with electronica, new wave, hip hop, and girl groups. Featuring newly remastered audio by Billy Bush & Butch Vig, this deluxe edition includes Beautiful Garbage on 2 x 180g Black Vinyl, as well as a 12" 180g of B-Sides and memorabilia.
Diana Ross sings “Thank You” to the world. “This collection of songs is my gift to you with appreciation and love. I am eternally grateful that I had the opportunity to record this glorious music at this time,” said Ms. Ross. Her new album, “Thank You” is scheduled for release this fall through Decca Records / Universal Music Group. The title track and first single,” Thank You,” will be available for streaming and download on June 17.
Recorded in her home studio, “Thank You" offers a powerful, inclusive musical message of love and togetherness. With its songs of happiness, appreciation and joy, it wholeheartedly acknowledges that we are in this all together. Her family, friends and loyal and loving audiences all around the globe have been an integral part of her wonderful life’s story. In this special moment, it is time to step into the light.
Ms. Ross co-wrote and collaborated on the 13 songs along with award-winning songwriters and producers including: Jack Antonoff, Troy Miller,Triangle Park, Spike Stent, Prince Charlez, Amy Wadge, Neff-U, Freddie Wexler, Jimmy Napes, Tayla Parx, Fred White, and Nathanial Ledgewick.
Let us come together in harmony and gratitude with Diana Ross now and for the future. “I dedicate this songbook of love to all of you, the listeners. As you hear my voice you hear my heart. "Let Love Lead the Way”
Simply calling Curtis Harding a soul man feels reductive. Harding's voice conveys pain, pleasure, longing, tenderness, sadness and strength-a full gamut of emotions. Today his voice takes on an optimistic lilt with his his new album, If Words Were Flowers. If Words Were Flowers is Harding's first new music since 2018, a follow up to his critically acclaimed 'Face Your Fears" album. It features songs like " Hopeful", where Harding croons with devotion over a classic soul groove, textured with infectious horn playing, background singers and modern psychedelic flourishes. Harding fuels his psychedelic sound with the essence of Soul but isn't bound by it. Instead, his songs convey an eclectic blend of genres leaping from the many musical lives he has lived from following his evangelical Gospel-singing mother on tour around the country as a child to rapping in Atlanta, forming a garage band with The Black Lips' Cole Alexander to singing back-up for Cee Lo Green. Through these experiences he fully embraces life's darkest intricacies and conjures dynamic, addictive melodies
The Low Highway was the follow-up to 2011's Grammy Award-nominated album I'll Never Get Out Of This World Alive and was the first billed as "Steve Earle & The Dukes (& Duchesses)." The album is also the first to feature "The Dukes" band name since 1987's Exit 0. This is the first color pressing for this record.
Harry’s House is the third solo studio album from Grammy award-winning global superstar Harry Styles. The 13-track full-length album was recorded in multiple locations across the UK, Los Angeles and Tokyo from 2020 to 2021. It was written by Harry alongside frequent collaborators Kid Harpoon, Tyler Johnson, and Mitch Rowland.
Dropout Boogie (INDIE EX) - The Black Keys
This is the indie exclusive White LP - limited to 4982 pieces.
As they've done their entire career, The Black Keys' Dan Auerbach and Patrick Carney wrote all of the material for their new album,Dropout Boogie, in the studio, and the album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements. After hashing out initial ideas at Auerbach's Easy Eye Sound studio in Nashville, the duo welcomed new collaborators Billy F. Gibbons, Greg Cartwright, and Angelo Petraglia to the sessions, marking the first time they've invited multiple new contributors to work simultaneously on one of their own albums.
BLACK KEYS / DROPOUT BOOGIE (INDIE EXCLUSIVE)
Florence + The Machine releases 5th studio album, Dance Fever. Written & produced through the haze of two lockdowns, in London & NY with producers Jack Antonoff & Glass Animals’ Dave Bayley. Dance Fever sees Florence at the peak of her powers, coming into a fully realized self-knowledge, poking sly fun at her own self-created persona, playing with ideas of identity, masculine & feminine, redemptive, celebratory, stepping into her place in the iconic pantheon. Indie Grey 2LP. 4th side etching.
A legendary event in the incredible 60-year history of the Rolling Stones is available for the first time in-full. ‘Live At The El Mocambo’ marks the first official appearance of the group’s two famous secret concerts at the 300-capacity Toronto club in March 1977. It features the Stones’ full set from the March 5 show, plus three bonus tracks from the March 4 gig, newly mixed by Bob Clearmountain. Now available on 4LP black vinyl housed in a die cut slipcase with etching.
With its latest album, Fortune Favors The Bold, Russell County, Virginia-based 49 Winchesteris ready and roaring to break onto the national scene with its unique brand of tear-in-your-beer alt-country, sticky barroom floor rock-n-roll, and high-octane Appalachian folk.
Fortune Favors The Boldis not only a record that showcases the current state of 49 Winchester, it’s a melodic stake in the ground of how this group is constantly evolving and taking shape, sonically and lyrically. But, it’s also about looking into the rearview mirror with a genuine appreciation for where you came from and what you’re made of. Those salt-of-the-earth traits in your blood and character that define what it actually takes to climb that damn mountain of dreams. At its essence, Fortune Favors The Boldis about going against all odds to bring your art into fruition and into the world - come hell or high water.
Lyle Lovett returns with his first new album in over 10 years,“12th of June”, due out on Verve Records May 13th, 2022. The album is a fantastic and eclectic collection of new original songs and beloved interpretations that will please existing fans as well as invite new ones. Immaculately recorded, it highlights the dynamics of Lyle and his Large Band– and their singular ability to shift from one genre to the next with uncanny grace and ability. From beautiful acoustic ballads to swinging big band numbers, this record will remind listeners why Lyle is national musical treasure.
Debut Album Solidifies Mallrat's Reputation as a Master of Clever, Timeless Pop
Available On Limited Edition [COLOR] Vinyl + CD Mallrat's prized pop songwriting has become a beacon the music industry eagerly follows, and on her debut album Butterfly Blue, she embodies the spirit of it's titular creature - but without the delicacy that keeps you at a distance. Over a dozen clever and open-hearted tracks, Mallrat - aka Grace Shaw - draws you in close and shows you the world through her wide, hopeful eyes.
WE is the new album from Canadian rock band Arcade Fire. This is the sixth Arcade Fire studio album, and is made up of seven songs that speak to this moment with unique directness. Written, recorded, and released during a critical historical juncture, they are divided into two distinct sides, “I” and “WE.” If the “I” side of the record evokes and embodies our holed-up anxiety and lack of physical connection, the “WE” side captures the excitement of new possibilities and the elevating thrill of committing to one another socially and personally. Produced by Nigel Godrich, Win Butler & Régine Chassagne, WE is a 40 minute epic as much about the forces that threaten to pull us away from the people we love, as it is inspired by the urgent need to overcome them.
Ukulele Songs comprises a fine mixture of original material penned by Vedder that he initially performed live, alongside vintage classics and standards. A recast, uke-driven version of "Can't Keep," which originally appeared as the opening track on Pearl Jam's hard-charging November 2002 album Riot Act, opens the proceedings, while newer-bred original songs like the resigned lament of "Sleeping By Myself," the charming love orbit of "Satellite," the hopeful brightness of "Light Today," and the instrumental interlude "Waving Palms" all set the table for the 35-minute album.
Guest vocalists appear on a pair of key Ukulele tracks, both of them fine covers of notable standards. First, Glen Hansard (The Frames, Once) adds his Irish folk DNA to "Sleepless Nights," which was written by Felice and Boudreaux Bryant and remade by The Everly Brothers in 1960, in addition to later being covered by the likes of Emmylou Harris, Patty Loveless, and Elvis Costello.
Second, Cat Power lends her passionate tone to "Tonight You Belong To Me," a jazz standard written in 1926 by lyricist Billy Rose and composer Lee David. This track has also been subsequently covered by the likes of Frankie Laine, Patience and Prudence, and Dottie West. Versions of "You Belong To Me" were also recently featured in the acclaimed 2019 film drama Blackbird and in an episode of the 2020 HBO horror-drama series Lovecraft Country.
The LP's other noteworthy covers include stirring takes on Billy Rose and Edward Eliscu's "More Than You Know," Michael Edwards and Bud Green's "Once In A While," and the album-closing reading of Fabian Andre, Wilbur Schwandt, and Gus Kahn's "Dream A Little Dream."
Produced by Eddie Vedder and Adam Kasper (Foo Fighters, Soundgarden), Ukulele Songs peaked at No. 4 on the U.S. Billboard 200, hit No. 2 on the U.S. Top Rock Albums on Billboard, and achieved Gold status in Canada.
EDDIE VEDDER / UKULELE SONGS
Featuring a diverse and spectacular cast of collaborators, "The Atlas Underground Flood" is a treasure trove of creativity, spanning many genres. The album is the surprise sister record released on the heels of "The Atlas Underground Fire”. “Fire” and “Flood” are a continuation of the Rage Against The Machine guitarist’s groundbreaking 2018 album, “The Atlas Underground.” Morello’s insane guitar playing is on full display taking the instrument into the future and forging an alternative/rock/EDM masterpiece with heavy metal legends, punk icons and cutting edge firebrands.
When a few friends offered to make a debut recordon him, Nashville songwriter Aaron Raitiere simply agreed to go along with it. In the four years since that first session for what would become Single WideDreamer, the auspicious project has retained its casual charm even as its guest list gradually expanded.Anderson East and Miranda Lambert, who co-produced the album, now appear alongside Nashvillemusicians like Dave Cobb, Natalie Hemby, Ashley Monroe,and Waylon Payne, as well as RobertRandolph, Foy Vance, and Bob Weir.“I think the record kind of made itself, and that was the vibe I was going with,” Raitiere says. “It was just a bunch of friends getting together trying to help me create something, because they thought I needed a record." The first sessions took place in East Nashville, where Lambert had just completed work on her album, The Weight of These Wings. Raitiere gave his producers complete creative control, from curating the songs to suggesting arrangements to adding guest vocals.He even rode into the studio with them everyday. Two years later, to round out the project, Eastand Raitiere reunited in RCA Studio A, ultimately ending up with 18 tracks in all and narrowing them down to 10.With a laid-back, speak-singing delivery, “SingleWide Dreamer” immediately conveys Raitiere’s contentment in living a low-key life. And although every song on the album could be considered a love song in its own way, what really ties them together is his observant writing, which is sometimes reflective, sometimes irreverent, but always inspired by his own experiences.
Released in 1965 My Generation was the debut album by The Who. The album peaked at #5 in the UK & launched the band into worldwide acclaim. Containing “My Generation”, “The Kids are Alright” & “The Ox” mastered by long time Who engineer Jon Astley from the original tapes. Packaged in original sleeve with obi & certificate of authenticity, this black vinyl version is engineered by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut.
A Quick One was released in 1966, containing experimental music Suite (a nod to Rock Operas that were to follow). The album contains “Boris the Spider”, “Don’t Look Away” & has been mastered by long time Who engineer Jon Astley from the original tapes. Packaged in original sleeve with obi & certificate of authenticity, this black vinyl version is engineered by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut.
Grammy Award-winning duo Bob Moses release their highly anticipated third album, The Silence in Between. The Silence in Between marks the Los Angeles-based band’s first release since signing to Astralwerks in a unique global partnership with Domino Recording Co. Love Brand New is one of the most anthemic moments on The Silence in Between, “Love Brand New” finds Vancouver-bred musicians / producers Tom Howie and Jimmy Vallance tapping into their deep-rooted love for ’90s alt-rock and left-of-center dance music. Written with Michel Zitron and John Martin (a Swedish production duo known for their work with the likes of Avicii and Swedish House Mafia), the track encompasses a glorious collision of moody guitar tones, mercurial textures, and wildly propulsive beats as Bob Moses channel the dizzying euphoria of new romance.
As their boldest and most viscerally charged output to date, The Silence in Betweenamplifies the unbridled energy that’s made Bob Moses a repeat winner of Resident Advisor’s Best Live Act prize.
Love & Algorhythms is an interstellar synthesis of astral Soul, R&B, and sci-fi Funk. Working with producer Paul Butler (The Bees, Micheal Kiwanuka, Caroline Rose, Hurray for the Riff Raff), Seratones have taken the invitation to knock at the door of the cosmos. A.J. Haynes’s voice dances with soul-stirring devotion at the altar of Black Feminisms: weaving the words Toni Cade Bambara, Octavia Butler’s Xenogenesis multiverse, echoes of bell hooks, and Audre Lorde’s Power of the Erotic. With drummer Jesse Gabriel’s machine-like precision and the transcendental touches from guitarist Travis Stewart, the album oscillates between Alice Coltrane-inspired bliss & Giorgio Moroder’s ecstatic release. Each song hovers and pulsates in the wide, dark matter—constellations guiding a journey through the subtle body, the vast fullness of the human experience and the irresistible potential of liberation.
Vinyl: $21.98 Buy
Scheduled for release in April 2022, the 10-song sophomore full-length album showcases Kirke’s unselfconscious, country-twinged vocals alongside a brightly colored candy shop of glam-twang guitar riffs, department store tv commercial synth stylings, and swooping, lilting, unabashedly feminine background vocals. Lady For Sale channels a high-spirited insouciance that feels invigorating and familiar, decidedly more easy-going and fun-loving than what we’ve come to expect from its genre (and the world in general) in recent years. This is a party you’ll want to attend.
CD: $35.99 Buy
Norah Jones’ seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.
"On Silver color vinyl. Toro y Moi’s seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound—encompassing the shaggy psychedelic rock of the 1960s and ‘70s, and the airy sounds of 1990s mod-post-rock—taking listeners on an auditory expedition, as if they’re riding in the back of Bear’s Filipino jeepney that adorns the album’s cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do.
Mahal is the latest in an accomplished career for Bear, who’s undoubtedly one of the decade’s most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there’s little in Bear’s catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date.
The second the album begins we’re immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of Mahal’s 13 songs date back to the more explicitly rock-oriented What For? from 2015. Mahal was mostly completed last year in Bear’s Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra’s Ruban Neilson to Neon Indian’s Alan Palomo and the Mattson 2.
“I wanted to make a record that featured more musicians on it than any other record of mine,” he explains. “To have them live on that record feels grounded, bringing a communal perspective to the table.” As a result, Mahal is lush and surprising at every turn, from the cool-handed “The Loop,” which recalls Sly and the Family Stones, to the elastic psych rock of “Foreplay” and the dizzying Mulatu Astatke- recalling of “Last Year.”
Lyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout “Freelance” effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy “Postman” and the “Magazine” take a deep dive into our relationship with media in a changing digital world. “It’s interesting to see how we adapt to this new age. We’re so connected, but we’re still missing out on things,” Bear ruminates while discussing the album’s themes.
It’s not all introspection. Bear cools things down near the album’s end with the Mattson 2-featuring “Millennium,” a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. “It’s about enjoying the new year, even when it’s been shitty,” Bear explains. “There’s nothing else to do.” Finding a sense of joy in the face of adversity is embedded in Mahal’s DNA, right down to the jeepney that literally and figuratively brings the music out into the community. “We know that touring is messed up for now, and large gatherings are a fluke,” he explains. “It’s about the notion of us going out to the people and bringing the record to them.” And with the wide-open atmosphere of Mahal, Toro y Moi stands to connect with more listeners than ever before."
Trombone Shorty returns with Lifted, his first album in 5 years and the follow-up to his Blue Note debut Parking Lot Symphony, featuring special guests including vocalist Lauren Daigle & guitarist Gary Clark Jr. An album that captures the energy of his legendary live shows, Lifted combines classic New Orleans sounds (funk, gospel, street rhythms, Mardi Gras Indian chants & second lines) with modern lyrics, melody & beats to create something fresh & unique. Part Jimi Hendrix, part James Brown and all New Orleans, Troy “Trombone Shorty” Andrews is the bandleader and frontman of Trombone Shorty & Orleans Avenue, a hard-edged funk band that employs brass-band beats, rock dynamics & improvisation in a jazz tradition.
2020's A Hero's Death saw Fontaines D.C. land a #2 album in the UK, receive nominations at the GRAMMYs, BRITs and Ivor Novello Awards, and sell out London's iconic Alexandra Palace. Now the band return with their third record in as many years: Skinty Fia. Used colloquially as an expletive, the title roughly translates from the Irish language into English as 'the damnation of the deer'; the spelling crassly anglicized, and its meaning diluted through generations. Part bittersweet romance, part darkly political triumph - the songs ultimately form a long-distance love letter, one that laments an increasingly privatized culture in danger of going the way of the extinct Irish giant deer.
Gifts From The Holy Ghost, Dorothy Martin’s third studio album as frontwoman for the pseudonymous rock band Dorothy, is the album she’s always wanted to make. Born from a sense of diving urgency, it’s their most bombastic rock n’ roll work yet. While their debut album was made on a combination of whiskey and heartbreak, Gifts was built on sobriety, health, and spiritualism, in a way that reverses the clichéd “good girl gone bad” narrative. It features the Top 40 Rock track, “Rest in Peace.”
Nearly sixty years after they first played together, Ry Cooder and Taj Mahal, longtime friends and collaborators, reunite with an album of music from two Piedmont blues masters who have inspired them all their lives: GET ON BOARD: THE SONGS OF SONNY TERRY & BROWNIE MCGHEE.
With Taj Mahal on vocals, harmonica, guitar, and piano and Cooder on vocals, guitar, mandolin, and banjo-joined by Joachim Cooder on drums and bass-the duo recorded eleven songs drawn from recordings and live performances by Terry and McGhee, who they both first heard as teenagers in California.
TAJ MAHAL & RY COODER - GET ON BOARD
Joshua Hedley is “a singing professor of country & western,” he declares on his raucous and witty new album, Neon Blue. It might sound like a punchline, but it’s not. An ace fiddle player, a sharp guitarist, and a singer with a granite twang, he’s devoted his entire life to the study of this genre. Ask him about it and he’ll explain: “When all my friends went off to college, I went to Nashville. I was 19 years old playing honkytonks and getting an education.” His 2018 debut, Mr. Jukebox, showcased his deep knowledge of country’s history, in particular the beery ballads of the 1950s and ‘60s. His mentors were George Jones, Ray Price, and Glen Campbell, but his most remarkable accomplishment was putting his own spin on their style.
Neon Blue, on the other hand, examines a very different, often forsaken era: the early 1990s. “The last bastion of country music,” says the professor, “was the early 1990s, roughly 1989 and 1996. You could turn on the radio and immediately know you’re hearing a country song. You could still hear steel guitar and fiddle. But there was a hard fork around 1996 or ’97, when country veered off into pop territory. Neon Blue asks, What if that fork had never happened? What if country kept on sounding like country?”
That era may have been dismissed by traditionalists at the time as slick or overproduced, but Hedley finds something exciting in that old hat-act sound, and Neon Blue plays up the excitement of bigger-than-life choruses, the relatable emotions of those sad-eyed ballads, and the inventiveness of the lively production. “The sound is modern,” he says, “but it’s still discernibly country.”
Vinyl: $31.98 Buy
Genesis of Genius: The Contemporary Albums combines legendary Jazz saxophonist Ornette Coleman's albums for Lester Koenig's Contemporary Records. This deluxe box set features Coleman's first albums as a bandleader, Something Else!!! and Tomorrow is the Question!. Both albums were originally recorded by legendary engineer Roy DuNann & have been newly mastered by Bernie Grundman. Includes 32-page booklet with photos & extensive new liner notes by GRAMMYr Award-winning music historian Ashley Kahn.
Calexico occupy their signature sound on the new album, El Mira- dor; riding the continental divide between dream pop, Mexican folk and Americana. If any band understands how to expand their sound without losing the brilliant essence of the band, it’s Calexico. Their songs run the gamut from retro-tinged alt-rock, to sentimental folk to southwestern tracks with an impressive display of vision and expertly honed skills. With vocals that intertwine English and Spanish, El Mirador embraces the musical heritage of the southwest, and features guest artists from all musical genres including: Sam Beam (Iron & Wine) who drops backing vocals on “Harness the Wind”, Jairo Zavala of Depedro is featured vocalist on “Cumbia Peninsula” Gaby Moreno and Mexican Institute Of Sound are featured on “Cumbia Del Polvo”.
On his first album in partnership with Verve Records, Kurt Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions — and the result is a vibrant, yet meditative record propelled by laid-back charm and curious spirit.
Seether - "Vicennial - 2 Decades Of Seether" Vicennial - 2 Decades of Seether is a career-spanning compilation of the RIAA Platinum-selling group's greatest hits, including 16 #1 original singles, as well as the fan-favorite cover of "Careless Whisper." The track list, curated by the band, takes you through their impactful 20-year career - from their early breakthrough singles "Broken" and "Fine Again" to their recent radio success "Dangerous." Indie Exclusive Smoke 2 LP w/ Gatefold Jacket.
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Boston 1971: Historic early recording of Aerosmith in their rehearsal room – just the band, crew, and friends captured on Joe Perry's tape recorder. This never-before-heard performance showcases the early, raw talent of this future Hall Of Fame band, one year before signing to Columbia Records and two years before their eponymous debut, which featured many of these songs, including their enduring anthem" Dream On."
Daniel Rossen knew there was a lot to learn if he was finally going to finish his debut solo album. For nearly two decades, Rossen had been a crucial component of Grizzly Bear, the era-epitomizing act whose shared harmonies and interlaced textures meant he was responsible for only part of a whole. But Rossen left the close-knit nest of Brooklyn many years ago, first for an isolated patch of land in upstate New York and then for the high desert climes of Santa Fe. The whole, as it were, was now his. So Rossen bought an upright bass (one of his instruments as a kid) and played all the parts himself, along with the cello. Best known as a guitarist, he took up woodwinds, too, buying several cheap student models and learning just enough to understand the rudiments. And then, largely at home in Santa Fe, he slowly built the world that is You Belong There, a riveting 10-song reintroduction to a voice that sounds both entirely familiar and fully reenergized by the act of unfettered expression.
Every Lucius song is an act of enchantment, a spell cast by the indelibly harmonized voices of Jess Wolfe and Holly Laessig. Onstage, the performance becomes an invitation to be witness to their transformation; the dance between two individuals becoming one voice, one vision and bound by psychic symmetry. And while the effect of this spectacle is hypnotic and gloriously strange, the songwriting continues to be the hand that reaches out from behind the curtain to hold the audience, bringing together everything that makes you nostalgic for the past, while looking to the future. After spending 4 years touring their critically-acclaimed albums Wildewoman and Good Grief with bandmates Dan Molad and Peter Lalish, they toured the world singing on Roger Waters’ Us and Them Tour. Lucius continue to earn adoration from fellow musicians, with Wolfe and Laessig lending their vocals to albums by artists as eclectic as Nathaniel Rateliff, Harry Styles, Sheryl Crow, John Legend, Ozzy Osborne and The Killers.
Our only goal is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.
We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe.This is our life’s mission. We work, focus, and prepare, so that when the biggestwave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is theride that is the sum of our lives. Thank you for listening, we hope you enjoy it.
One of the most successful acts in rock history, Red Hot Chili Peppers have sold more than 60 million albums, including five multi-platinum LPs, and won six Grammy Awards, including "Best Rock Album" for Stadium Arcadium, "Best Rock Performance By a Duo or Group" for "Dani California, "Best Rock Song" for "Scar Tissue," and "Best Hard Rock Performance With Vocal" for "Give It Away." The band holds the record for the most No. 1 singles of all time at Alternative radio, a total of 11, and a combined 81 weeks at No. 1.
Country/Bluegrass album, Run, Rose, Run that will be released along with a novel co-written with the famed author, James Patterson, sharing the title Run Rose Run. The 12 songs were inspired by the book storyline and feature Country and Bluegrass artists; Joe Nichols, Rhonda Vincent, The Issacs, and Dailey & Vincent. Dolly & James will be doing book and album promotions together - presenting a unique co-marketing opportunity.
This is a color LP that features alternative packaging from the standard LP. The LP package also includes a download of the full album that includes two exclusive bonus tracks.
Luther and Cody Dickinson started North Mississippi Allstars in 1996 as a loose collective of like-minded second-generation musicians who shared a local repertoire and regional style. Over the years the lineup shifted by design, and each NMA record offered up a different combination of collaborators. Set Sail finds the brothers working with Jesse Williams on bass and Lamar Williams, Jr. for the first time.
Set Sail, North Mississippi Allstars’s thirteenth album, follows 2019’s Up and Rolling, which was nominated for a Grammy Award for the Best Contemporary Blues Album in 2021. Set Sail continues the band’s tradition of creating roots music that displays remarkable variety. With their latest record, NMA are able to build upon their self-described sound of Primitive Modernism - a melding of the new and the old, traditional and futuristic, crafted lyrics and improvisational music.
Want to get a bead on Paul Cauthen?
Good freakin' luck -- especially on his third album, COUNTRY COMING DOWN.
COUNTRY COMING DOWN has been in motion awhile, actually. The title track, one of several co-writes with good Nashville pal Aaron Raitiere, has been around since before Cauthen's dark sophomore album ROOM 41. Its sense of campfire calm and "damn near off the map" idyll set a bar, for both music and lifestyle, that Cauthen aspired to, while the rest of the new album, recorded at Modern Electric Sound Recorders in Dallas with regular collaborators Beau Bedford (Texas Gentlemen) and Jason Burt (Medicine Man Revival), shows that Cauthen was able to get there without losing any of the playful "hot dog holly golly dagnabit" good-time spirit that rolls off his tongue like a tumbleweed in the west Texas panhandle.
If you want to know what COUNTRY COMING DOWN sounds like, tuck into the album's sonic array, an austere, sinewy attack that puts Cauthen's vocals dead center in the ride. "We've really unleashed Big Velvet in this situation, which I love," he says. Nowhere is that more true than "Country As Fuck," with a taut groove and loping gait tailor made for a 21st century honky tonk. Cauthen, Bedford and Burt play with that template throughout COUNTRY COMING DOWN, punctuating "Caught Me At a Good Time" with a sharp guitar solo, "High Heels" with a tasteful Wurlitzer break and the satiristic "Country Clubbin'" with a disco beat and chorus of female backing vocals.
His muse fully engaged, Cauthen is looking towards doing more of that in the future, with a few conceptual ideas up his sleeve about what he might do next. No matter what direction he takes, however, he won’t be abandoning that cabin in the hills or the "Country Clubbin'" life; Cauthen will just be adding more to the mix he's stirred together.
"It's just about looking at yourself in the mirror and knowing that what you've done to this day has been in good standing, with good morals and a good compass in life, driven the right way," he says. "Legacy is all we have -- that, and try to be a good person as well. If you get all that together, then you can do whatever the fuck you want and it'll be alright."
50th Anniversary Edition features direct-to-analog mastering from the original tapes by Kevin Gray. Included are 4 rare cuts making their vinyl debut, highlighted by the “stripped” version of the title song, plus six mono single mixes and B-sides. Pressed on 180-gram 2 LP in a tip-on heavy stock gatefold jacket with printed sleeves featuring lyrics, track details, a brief essay honoring arranger David Van De Pitte, and main essay by poet Hanif Abdurraqib.
Acclaimed singer, songwriter and musician Molly Tuttle will release her anticipated Nonesuch Records debut, Crooked Tree, April 1 (on CD and digital. LP will be May 13) with her new bluegrass collective Golden Highway.
Recorded live at Nashville’s Oceanway Studios, Crooked Tree was produced by Tuttle and Jerry Douglas and features collaborations with Sierra Hull, Old Crow Medicine Show, Margo Price, Billy Strings, Dan Tyminski and Gillian Welch. The album explores Tuttle’s love of bluegrass, which she discovered through her father, a music teacher and multi-instrumentalist, and her grandfather, a banjo player. Across these thirteen tracks, all of which were written/co-written by Tuttle, she honors the bluegrass tradition while also pushing the genre in new directions.
“I always knew I wanted to make a bluegrass record someday,” Tuttle says. “Once I started writing, everything flowed so easily: sometimes I’ve felt an internal pressure to come up with a sound no one’s heard before, but this time my intention was just to make an album that reflected the music that’s been passed down through generations in my family. I found a way to do that while writing songs that feel true to who I am, and it really helped me to grow as a songwriter.”
In celebration of the new music, Tuttle and Golden Highway—Bronwyn Keith-Hynes (fiddle), Dominick Leslie (mandolin), Shelby Means (bass) and Kyle Tuttle (banjo)—will embark on an extensive headline tour beginning tonight with shows at Seattle’s Tractor Tavern (two nights), Portland’s Mississippi Studios (two nights), Los Angeles’ Roxy, Salt Lake City’s State Room, Boulder’s Fox Theatre, Asheville’s The Grey Eagle and Nashville’s Station Inn, among several others. Full details can be found at mollytuttlemusic.com/tour.
In addition to Tuttle (vocals, guitars), Douglas (dobro), Keith-Hynes (fiddle) and Leslie (mandolin), Crooked Tree also features musicians Darol Anger (fiddle), Ron Block (banjo), Mike Bub (upright bass), Jason Carter (fiddle), Viktor Krauss (upright bass), Todd Phillips (upright bass) and Christian Sedelmyer (fiddle) with additional harmony vocals from Tina Adair, Lindsay Lou and Melody Walker.
Like only the most gifted storytellers, Matisyahu spins the rare kind of stories that simultaneously enlighten and enthral and expand the audience’s sense of possibility. On his eponymous new album, the Grammy Award-nominated singer/songwriter/rapper shares his most autobiographical work to date, merging that personal revelation with a shapeshifting collision of reggae and hip-hop and boldly inventive pop. Produced by Salt Cathedral (a Brooklyn-based duo comprised of Colombian musicians Juliana Ronderos and Nicolas Losada), the result is an undeniably transformative album, one that invites both intense introspection and unbridled celebration.
CD: $109.99 Buy
Celebrating the 50th anniversary of the Mothers Of Invention’s ‘71 line-ups, the complete Fillmore tapes are showcased with every note played over 4 shows, including the John Lennon/Yoko Ono encore, majority of tracks are newly mixed. Additionally, the full concert from the Rainbow Theatre in London where FZ was infamously pushed off the stage is newly mixed by Eddie Kramer. The box also features a bonus hybrid concert from Harrisburg & Scranton, PA 1971 and extensive liner notes & packaging.
Also Available Live at Rainbow Theatre [3LP], Live At Fillmore East, June 1971: 50th Anniversary [3LP]
March 2022, rock icons KISS will release the next installment of their Off The Soundboard official live bootleg series with KISS - Off The Soundboard: Live In Virginia Beach, recorded live at the Virginia Beach Amphitheatre on July 25, 2004.
Off The Soundboard: Live In Virginia Beach finds the legendary band in the midst of their `Rock The Nation' Tour, which is notable for being the first full U.S. tour of the longstanding Paul Stanley, Gene Simmons, Tommy Thayer, and Eric Singer lineup. The career-spanning 20-song set includes classic KISS tracks such as "Lick It Up," "I Love It Loud," and the worldwide smash and No. 11 1979 U.S. Billboard charting "I Was Made For Lovin' You," as well as perennial KISS fan favorites "Makin' Love," "King Of The Night Time World," and "100,000 Years" that dig deep into the band's astonishing 40+ year back catalog.
KISS are globally recognized as one of the greatest live bands of all time and are the creators of what is universally considered the best live album ever, 1975's gold-certified and No. 9 Billboard charting Alive!. The KISS - Off The Soundboard series continues their storied legacy of groundbreaking live albums with a document of the spectacular, larger-than-life extravaganza that is a KISS concert.
KISS OFF THE SOUNDBOARD: LIVE IN VIRGINIA BEACH 3 X LP
The iconic 1971 release gets expanded for its 50th Anniversary. Featuring the original single LP newly remastered with two additional vinyl discs of period-perfect vintage mixes from the Vault. Includes the John Lennon and Yoko Ono encore and the original "Billy The Mountain!" Liner Notes by Vaultmeister Joe Travers. Pressed on 180g vinyl by Optimal:Media in Germany and cut by Chris Bellman at Bernie Grundman Mastering 2021.
Also Available The Mothers 1971 [Super Deluxe Edition 8CD Box Set], Live at Rainbow Theatre [3LP]
The historic and infamous final show of the Flo & Eddie line-up with The Mothers in its entirety. The show was a success until FZ was shockingly pushed off stage by a concert attendee, resulting in grave injuries for FZ causing the cancellation of the tour and ultimately the band. Featuring a brand new 2021 mix & liner notes by Eddie Kramer and mastering by Bernie Grundman. Pressed onto a 3 LP set on 180g by Optimal:Media in Germany.
Also Available The Mothers 1971 [Super Deluxe Edition 8CD Box Set], Live At Fillmore East, June 1971: 50th Anniversary [3LP]
Vinyl: $27.99 Buy
Ghost one of the most esteemed and celebrated rock bands in the world today return with their fifth psalm, IMPERA, fronted by the newly anointed Papa Emeritus IV. A dozen songs take on themes of isolation and demigod worship, as well as colonization of both space and mind. And all with the infectious hooky brand of rock their fans have grown accustomed.