Easy Picks: Country/Roots
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Named for a unique Newfoundland phrase that means "imminently," now is indeed the time for The Once. Decorated with awards in Canada, they were nominated for a JUNO in 2012 for the Group: Roots & Traditional Album of the Year and have won 4 Music Newfoundland Awards, 2 Canadian Folk Music Awards and the 2011 ECMA Group Recording of the Year. The Once are about to embark on an amazing journey, spending much of the upcoming year touring the world with chart-topping artist, Passenger.
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The Earls of Leicester is an all-star band, punningly named for Earl Scruggs and Lester Flatt, whose popular and pioneering bluegrass inspired every one of the musicians here paying them tribute. Jerry Douglas was inspired to play Dobro because of legendary Flatt & Scruggs dobroist Josh Graves, and Johnny Warren, the Earls' fiddle player is the son of long-time Foggy Mountain Boys fiddler Paul Warren. Every instrument and every vocal hark back to that classic sound. 'This record is something I've been waiting my whole life to do,' veteran Dobro master Jerry Douglas says of this album.
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Swimmin' Time is Shovels & Rope's follow-up to their acclaimed 2012 album O' Be Joyful. "Birmingham" (the number one song on American Songwriter's year-end list) and the rest of O' Be Joyful put Shovels & Rope on the larger stage in many ways from an appearance on the Late Show With David Letterman to an acclaimed set on PBS' Austin City Limits and festival slots at Coachella, Bonnaroo, Sasquatch, Newport Folk Festival, Lollapalooza and ACL.
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After listening to Same Trailer Different Park, the Nashville-based singer-songwriter's first album for Mercury Records, it's clear that this is a girl who has something to say. A true language artist, Kacey nimbly spins webs of words to create the quirky puns, shrewd metaphors, and steely ironies that fill the record.
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Fiercely contemporary yet rich with classic influences, Mount Moriah's Miracle Temple sports bigger arrangements, louder guitars, bolder vocals, and more soulful rhythms than their acclaimed self-titled debut. Through their artful personal storytelling, the band develops a piercing portrait of a "New South" where progressive traditions are still fitfully breaking free from conservative ones.